Dorsellum about 2.6 × as broad as long, with coarser engraved reticulation than scutellum slightly incised in middle of posterior margin lateral panel of metanotum smooth, with a carina medially (Fig. Scutellum convex in profile, slightly broader than long (1.3: 1.2), with engraved, longitudinal reticulation scutellum with distinct submedian lines that are slightly nearer to sublateral lines than to each other, enclosed space between submedian lines 2.1-2.2 × as long as broad with two pairs of setae on scutellum, subequal in length, anterior pair situated slightly before middle and posterior pair situated near posterior margin scutellum with depressed frenum, delimited by groove and scattered, irregular carinae (Fig. ![]() Axillae strongly shifted forward, with engraved reticulation in anterior 2/3 and with strongly raised striations, like carinae, in posterior 1/3 (Fig. Mesoscutum with engraved and longitudinal reticulation, notaular grooves deep and curved MLM with 3 adnotaular setae, without median line or with a trace of median line only posteriorly, with posterior margin straight (Fig. Pronotum strongly sloping and almost invisible in dorsal view pronotum distinctly reticulate, neck and collar not delimited, without posterior carina (Fig. Anterior margin of clypeus weakly bilobed (Fig. Malar space 0.8-0.9 × as long as mouth opening, and malar sulcus more or less straight. Eyes with short and sparse white hairs, diameter larger than malar space. Toruli inserted slightly above lower margin of eyes. Face with longitudinal reticulation, scrobes with indistinct reticulation. Frons with a short and narrow V-shaped frontofacial suture connecting to ocellar area upper face with a thin and raised carina between depressed scrobes head easily collapsed along frontofacial sutures and outer margins of scrobes (Fig. Head in anterior view 1.23 × as broad as high (2.7: 2.2), with vertex convex (Fig. ), almost in a line if head is collapsed. ![]() Ocelli arranged in an obtuse triangle (Fig. Head slightly broader than mesoscutum, and very easily collapsing when dried. Each flagellomere with longitudinal sensilla and apically with a circle of scattered, mushroom-shaped capitate peg sensilla each flagellomere except clavomere 3 truncate apically. ) with 3 funiculars and 3 clavomeres scape nearly reaching median ocellus, scape with raised and longitudinal reticulation pedicel slightly shorter than F1, with raised striations F1-F2 subequal in length and each about 1.4 × as long as broad, F3 longer and more slender than F1 and F2, about 1.6 × as long as broad clava 0.7-0.8 × as long as funicle, clavomeres decreasing in length, clavomere 3 with a short and indistinct terminal spine. Legs with coxae brown, tips of femora broadly brown and tibiae pale yellow fore tarsus fuscous, turning to brown towards tarsomere 4 mid and hind tarsi with tarsomeres 1+2 pale yellow and tarsomeres 3+4 brown (Fig. Antenna brown with apical scape and pedicel more or less light brown ventrally. Body black with more or less dark green tinge (Fig. His son Warren (John D’Leo) and daughter Belle (Dianna Agron) are in no way inferior to their parents and attract attention in their own ways.Body length 1.2-1.4 mm. His wife Maggie (Michelle Pfeiffer) blows up a supermarket. Everyone gets a new identity, but although the tough FBI agent Stansfield (Tommy Lee Jones) takes care of them, the family drifts back into the old pattern. The Mafia wants his head for his betrayal! Giovanni and his family go into hiding and with the help of the witness protection program they move to the French Normandy. But when he starts to let a whole bunch of competing mafiosi get exposed, he himself ended up behind bars for some time. Giovanni Manzoni (Robert De Niro) was a former gangster in New York. Timestamp: 1:40 | Scene: The last song can be heard during the credits of the movie. Timestamp: 1:22 | Scene: The gangsters leave the train and run past Warren. ![]() Timestamp: 1:18 | Scene: Giovani watches the movie "Good Fellas". Timestamp: 1:04 | Scene: Belle kisses her teacher in the classroom. New York, I Love You but You’re Bringing Me Down - LCD Soundsystem Timestamp: 0:57 | Scene: The newspapers are printed. Timestamp: 0:48 | Scene: Song can be heard at lunch. They welcome themselves in the neighborhood. Timestamp: 0:45 | Scene: The family makes lunch. Timestamp: 0:42 | Scene: Giovanni and Maggie kiss on the coach. Timestamp: 0:30 | Scene: Warren tells Belle about his exciting morning. Timestamp: 0:25 | Scene: Belle listens to this song in her room.
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